Thursday, January 28. 2010Comments (0) Trackbacks (0) Defined tags for this entry: artist to watch, barrie maguire, d.fly schwartz, help me help me, i don't know a thing, lucy schwartz, mitchell froom, winter in june
Artist To Watch - Lucy Schwartz
I came across Lucy Schwartz a short while ago while browsing some new artists featured in television shows. I think one of her songs was used on Private Practice. I listened to everything I could find by her and I'm impressed so far.
She has a habit for pairing melancholy lyrics with upbeat melodies and says she likes to "mix both sides of the spectrum.” She is already quite accomplished at the mere age of 20 with songs appearing on the television shows Private Practice and Grey's Anatomy and the films Post Grad and The Women. Lucy is currently working on a full length album with Mitchell Froom producing. ![]() Right off the bat she got cool points with me for being named Lucy Seriously though, she just released an EP on the 26th called Help Me! Help Me! and it's really catchy. Onboard are producers Mitchell Froom (Elvis Costello, Paul McCartney, Coconut Records), Barrie Maguire (The Wallflowers, Amos Lee), and d.Fly Schwartz (Arrested Development, Deadwood). Here is a sample from her first album, which she recorded when she was only 16! Albums and songs both old and new can be purchased on iTunes and CD Baby with links on her Myspace, where you can also hear some songs of the new EP. Thursday, January 28. 2010Comments (0) Trackbacks (0) Artist To Watch - Marit Larsen
I am LOVING this Norwegian songstress.
Not only is her music fun and infectious but I love the way she feels about music. She posted this on her Myspace and I had to re-post it because I feel the same way about music. I've always been obsessed with music. Most of my memories, good and bad, have their own soundtrack (which is, by the way, by far the best thing about music). This is what does it for me: A song can remind you what it's like being in love. It can even make you fall in love. The right song can mend you, break your heart, and, well, change your life. I know there is a tremendously long list of songs that have changed mine. I'll probably be struggling to write change-your-life-forever-tunes the rest of my life. She reminds me a lot of Lenka who was one of my favorite new artists in 2009, I'm sad I didn't find this girl sooner, but I am really looking forward to hearing something new from her. Her album isn't available in the US yet, but you can find her on iTunes. Friday, January 22. 2010Artist To Watch - Maryanna Sokol
Check out Maryanna Sokol's Myspace page.
![]() She has an album coming out soon produced by the super awesome Andrew Futral (of The Age Of Rockets) You can catch some of the unmixed tracks on her page and they've got me really excited for the album. She is certainly someone I'll be watching in 2010! Wednesday, January 13. 2010Defined tags for this entry: allie moss, asbury park, bess rogers, cara salimando, chris kuffner, elliot jacobson, laura warshauer, the saint
Bess Roger & Allie Moss @ The Saint, Asbury Park, NJ 1-8-2010
I didn't know what to expect from The Saint before I got there. I had never heard of the venue before and I was a little nervous about going out alone in Asbury Park. The exterior didn't make me feel much better and the surrounding area I found to be a bit daunting. I wasn't going to miss Bess play though, so I took a deep breath, parked, and headed toward the show.
When I entered I could hear a female voice performing and I was a little upset because I was under the impression I was 30 minutes early. What I got to hear was the last couple of songs by a young woman named Laura Warshauer, previously unknown to me but I was pleasantly surprised. My only complaint is that I didn't get to view her entire performance. This girl has an amazing voice live, I got a chance to talk with her a little bit after the show and you can expect to hear a live performance from her on Electric Eclectic sometime in the near future. After a brief break 17-year-old Cara Salimando took the stage. She performed a short set but I was impressed by her ability in front of a live audience. To already be so comfortable performing live, I think we can expect great things from Cara in the future! Next up the lovely and multi-talented Bess Rogers took the stage. It's been awhile since I got to see Bess with a backing band, and was very pleased to find that it was Chris Kuffner and Elliot Jacobson, the same duo that had accompanied JOY at the City Winery the previous weekend. I don't mean to leave out her bassist's name, I just don't know him... Sorry unknown bassist! Bess opened up with the title track from her 2009 EP Travel Back and followed it up with the carefree ditty I Don't Worry. ![]() In a dramatic contrast she played a new song that will be on her upcoming LP. I had heard Good Enough when she played it solo at John & Peter's a few weeks ago but with a backing band it was really tremendous and it only solidified that I CAN NOT WAIT for the new album to come out. Elliot's drumming really added to the darkness of the song that I hadn't picked up on previously. She then welcomed fellow performer Allie Moss to the stage to perform Everything to Lose. Allie's stellar backing vocals really contributed to the song. Bess kept Allie on stage for another new one All In Good Fun in which she channels the late, great Patsy Cline. I'm really excited for the studio version of this song, and Bess is indeed right, "when you lose it hurts." This was followed up by one more new song Come Home. I just want to reiterate what a treat it is to hear Bess perform with a band backing her. Don't get me wrong, she wonderful by herself but adding extra instruments really adds something and compliments her solo performance so well. Bess finished up her set with Bulldozer and I found myself wishing that she would play just a bit longer. During the break a broken string was replaced and the stage was set for Allie Moss. I had heard some of her work before but for some reason it hadn't stuck with me. She was backed by Bess Rogers, Chris Kuffner, Elliot Jacobson, and Lauren Zettler on keyboard. The opening song was Days I Regret, fitting because it instantly made me regret not owning everything this girl is a part of. She's got a really endearing innocence about her voice. She followed it up with her hit Corner which you may have heard on Grey's Anatomy. Let It Go and Meloncholy Astronotic Man were next up, followed by Passerby. The guitar in it reminded me a lot of Ingrid Michaelson's Corner Of Your Heart, which makes sense since Allie tours with Ingrid. Additionally I Bess and Chris provided really nice backing vocals for the tune and it sounded fantastic live. ![]() Next Allie had the band take a break on the stage while she performed a solo song I Will Go Anywhere. Her vocals really shined, and I kicked myself again for not buying her EP when it came out last March. Next up was a new song that I can not wait to hear the studio version of. I'm pretty sure Late Bloomer is one of my favorite current songs, and I wish I could hear it again! The lyrics were eerily relatible and the melody was perfect. Allie followed up with Dig With Me and Rubber Ducky, yes... It is what you're thinking and it was surprising really awesome. The last song of the evening was Cling To Me, it was soft and pretty and I found it to be an excellent closer. After tonight, I love Allie Moss and I am really glad I finally got a chance to listen to her work and see her live. See more photos and videos here. Including Chris Kuffner in the best hat ever! Tuesday, January 12. 2010Defined tags for this entry: allison weiss, bess rogers, chris kuffner, city winery, dan romer, deborah lopez, elliot jacobson, emily wells, jenny owen youngs
Jenny Owen Young & Emily Wells City Winery, NYC Jan 2, 2010
I couldn't have been more thrilled when I got an e-mail from one of my favorite venues, letting me know that one of my favorite artists would be performing there. Getting a chance to see Jenny Owen Youngs at the City Winery in NYC was amazing. If you’ve never been to the venue check out their page and find yourself a good show because the atmosphere and the quality of sound are both top notch. The food and drinks are on the pricey side but everything I’ve had there has been delicious.
I arrived just as Jenny was getting on stage, later then I had expected so I wasn’t able to secure a table. This particular evening Jenny was accompanied by two of my favorite NYC musicians, the multi-talented Chris Kuffner and, drummer extraordinaire Elliot Jacobson. After a moment of instrument tuning because Jenny cares about us, they launched into If I Didn’t Know. I always feel like Jenny is at her best when her backing band is comprised of her friends and tonight was no exception. The second song of the evening was Led To The Sea, followed up by my personal favorite Drinking Song. One of the best things about seeing JOY live, is that every time she performs she manages to make each song just a little different then the last time I heard it. It keeps the songs I love from ever getting boring while holding onto the aspects that I adore about them and to me it’s what shows that’s she truly a musician and not just a singer/songwriter. Next in the set was Secrets. I adore that song and tonight was no exception. I wish I could get my hands on a recording of Jenny performing this song with Jim Ward the way they did during the revival tour of 2009, if you missed it you should be regretful, it was pretty amazing. I tried to snap some photos but my lame camera batteries died, luckily there were real photographers there and the amazing Deborah Lopez has been kind enough to allow me the use of one of her photos. You can view more of her work at her Myspace page. She's taken some of my favorite photos of my favorite musicians.Things slowed down a bit during No More Words but right after the trio rocked an amazing live version of Clean Break that was out of this world. There was only one choice to follow up such awesomeness, fan favorite Fuck Was I. Numerous people in the audience were singing along and everyone was having a great time. I didn't think the set could get any better until Last Person came on. It was really cool because a number of people there to support Jenny were also musicians that had appeared in the music video for the song and you could hear them singing along. She followed that up with Voice On Tape, as the music started the recorded message from Regina played in my head. Transmitter Failure was next and finished up with the closing track from her latest album Start + Stop. This was my favorite Jenny show thus far, and I have seen her many times in the last year, in several different aspects so that's kind of saying a lot. After a brief break Emily Wells took the stage, I had heard some of her music on her Myspace page and it was all enjoyable but I wasn't sure what to expect live. She started out with a pretty slow acapella Patty LaBelle cover and afterwards announced that her drummer and guitarist wouldn't be playing. I got a little concerned that the whole thing would just be Emily up there singing by herself. I had no idea how blown away I was about to be. Emily's stage performance was like nothing I have ever seen. She began playing a violin, then in front of our eyes looped a recording of it and picked up another instrument. She literally built a symphony in front of our eyes and when the music was ready she began to sing. I am not familiar enough with her music to name every track that she played, she did a fantastic cover of Notorius B.I.G.'s Juicy that blew my mind a little. For the remainder of Emily's performance she continued to amaze me and she's become an artist that I am now seeking out performances of. If you've never seen her live, it well worth the trip. Both performers were kind enough to hang out after the show and mingle with fans. I also got a chance to see Bess and Chris again, which is always nice. I got to meet Allison Weiss for the first time and she was adorable and charming, and I got a chance to talk to Dan Romer, which was extra cool for me since I find him to be a musical genius. If you missed it you should feel bad, because it was really fantastic. Wednesday, December 9. 2009Comments (0) Trackbacks (0) Defined tags for this entry: angus and julia stone, jose vanders, kate nash, lily allen, literature lovers, review
Jose Vanders - Literature Lovers Literature Lovers is the third EP from Jose (pronounced Jo-Sea) Vanders and she just keeps getting better. Vanders gained some notoriety in late 2007 when Perez Hilton featured her on his blog but I hadn’t heard much about her in the states after that. I was pleased to find out two weeks ago that she had an upcoming 8 track release. The lead track These Times instantly made me feel good. With her cheery light piano Vanders hooked me in and didn’t let go. I was completely amazed to find out that she is only 19, her voice and piano playing are strong and her lyrics have the maturity of someone much older. I’m generally a big fan of females who sing with an English accent. Kate Nash and Lilly Allen are two of my favorites and Jose reminds me of them while still managing to stand out as a promising individual. She channels Kate Nash particularly strong in the ballad Man On Wire. In Fear Of… her voice reminds me a little bit of Julia Stone (Angus & Julia Stone) whom I adore. Also, anyone who uses elipses in a title is okay by me. The catchiest track is probably The Numbers Game, but I would listen to the disc in order since Jose herself has said that's how she feels music should be heard. I agree with her there, sometimes the order of tracks is as important as the melodies themselves. I can honestly say I liked every track on this album very much. It's perfect for fans of female singer-songwriters and well worth the money.
Wednesday, December 9. 2009Comments (0) Trackbacks (0) Defined tags for this entry: new order, orgy, review, slow poison, stir the blood, sugarpill, the bravery, velvet underground
The Bravery - Stir The Blood When The Bravery released their second album The Sun And The Moon I really wanted to like it. I liked their previous self titled LP and was hoping for something similar. It ended up being pretty far from similar, somewhat abandoning the synth-infused dance beats for guitars. I was not a fan of the change and was leery about picking up their new disc Stir The Blood. In their third endeavor they've reverted to their original style electro-rock and the music isn't bad. I found myself reminded of a mix of Orgy and older New Order. The more upbeat tracks got me to move my head a bit. Unfortunately, that's where my praise of the album ends. The lyrics are mostly just odd and uninspiring. At times the phrasing is down right misogynistic, I didn't really find anything of value here and at times front man Sam Endicott made me feel uncomfortable by what I was hearing. In the tracks I Want To Be Your Skin, Hatefuck, and She's So Bendable in particular. For a band that consistently claims to be something original I don't think they have done anything remarkable here. By the time I got to the closing track Sugarpill the monotony of the songs was weighing heavy and I felt like I had been listening for much longer then I had. Which is too bad because it was the track I liked most on the album. It's got a Velvet Underground feel that I found myself fond of. If you're thinking about purchasing this album I would pass on it. The lead single Slow Poison was a good choice, and fans of their first album will be happy to know that this is much more reminiscent of older work. I still feel like it falls a little flat. Tuesday, December 8. 2009Comments (0) Trackbacks (0) Defined tags for this entry: au revoir simone, cassino, destry, it goes on, jenny lewis, michelle darosa, rilo kiley, straylight run
Destry - It Goes On In June of 2008 Michelle DaRosa announced her departure from Straylight Run to pursue a solo career. In late 2008, DaRosa began collaborating with Sam Means (The Format), Shaun Cooper (Straylight Run), and Nico Childrey and Tyler Odom (who played together in Cassino). Together they formed Destry and recently they released their first LP. At this time physical copies are only available from the band directly via tumblr, the album is also available on Itunes. I was never a big fan of Straylight Run, I didn’t even know that Michelle had left the band, I came across this album because it’s recently been streaming on spinner.com in their full CD listening party. I didn’t expect much but was pleasantly surprised. Lyrically the album is pretty solid, DaRosa has a beautiful voice, and the music is melodic and straightforward. The album was a little slow starting, I would have liked something stronger in the lead track, but the vocals are very easy on the ears and while things kind of blended together, it was enough to keep me listening. I’m pretty keen on the change of pace with the bluesy ballad Trouble. The bass lines really stand out here, and DaRosa explores a lower range of vocals that work well for her. At many points while I was listening her voice reminded me of Jenny Lewis’s (Rilo Kiley) ballads. I enjoyed the lovely use of harmonizing on It Goes On, one of the stronger tracks. The album’s theme is heartbreak, there isn’t much inspiring here. This album is what Au Revoir Simone would probably sound like if they were Southern. I’m particularly fond of the album closer Tearing It Apart. The percussion and the chimes in the back remind me of a lullaby and the song is really soothing. I think Destry has a lot of potential given the circumstances of how the record was made and it turned out surprisingly well. The album was largely formed by band members sending tracks back and forth, I think it would have been stronger if they had spent more time collaborating in the studio. That being said, while I don’t find the album groundbreaking and 90% of it feels like something I’ve heard before, it’s still a really nice, relaxing debut that’s worth a listen (or two). |
CategoriesRyan's TwattingsI see that DC Comics used my quote for the trade paperback collection of @thatkevinsmith 's Batman: Cacophony. Kewl! Wednesday, April 28 2010
Watching Ren & Stimpy with Tyler...they still look horrible, these early episodes...but he is loving them. Sunday, April 18 2010 @bessrogers We'd love to have you and Leila down on May 1st to promote your show if you guys are up for it...!!! Sunday, April 18 2010 @thatkevinsmith Not to be a dead horse...but what's going on with the Big Helium Dog DVD??? Sunday, April 18 2010 What the hell is a Chelsea Handler and why does it like move #78 out of the Kama Sutra? Friday, April 9 2010 Another week...with no Jamiroquai news. They are just doing this to spite me. Wednesday, April 7 2010 Happy Zombie Jesus day people...don't forget that Jesus came back today to prove a point...that Jew brains are YUMMY! Sunday, April 4 2010 Just updated my info on Bess Rogers's fan list via @FanBridge. You should join it! - http://fburls.com/37-fJDmEplb Sunday, April 4 2010 @aishatyler - the gamertag is RyanDMC - when you are ready to get schooled like a 4 year old playing Ms. Pac Man hit me up for some Halo. Thursday, April 1 2010 No an April Fools joke...first day of being vegan. I hope soy milk is good... Thursday, April 1 2010 Calendar
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